Vadim Zakharov, ARTIST MUST THINK!, 2021

vaDIM zakharov

Sometimes, to understand the present we need to look to the past. We lack in dimensional vision. We need a different point of reference. But it is no easy task to find it. The work «Me-Ti. Book of changes» of Bertolt Brecht concentrates on historical figures, philosophers, poets. Brecht did not risk approaching analysis of his epoch alone. His thoughts are contradictory, much like his life. The book does not always present an obvious answer to whose views the author shares. However, perhaps it is this fact which gives the feeling of insight into reality of the contradictory times. 

The characters are well familiar to everyone – Lenin, Stalin, Hitler, Trotsky, Marx and Engels, Rosa Luxemburg, Feuchtwanger, Hegel, and Brecht himself together with Ruth Berlau – his lady friend of the certain period of his life. All the characters appear under pseudo Chinese names: Ka-Me, Eh-Fu, Mi-En-Leh, Ni-En, Hi-Eh, To-Dzi, Fe-Khu-Wang, Sah, Lai-Tu, He-Le, ancient philosopher Me-Ti. Topicality and effectuality of the book at present are unbelievable. Many of the names mentioned above took an active part in forming our current mad life. We are still rummaging through disgusting waste left by them, crying out to the sky – How could this happen?! How people of the twentieth century let it happen? And, of course: can all of this repeat in future?

        Vadim Zakharov

 
 

Film in One Drawing, 2011- 2017
(Three parts: action, drawing, photos)

 

Vadim Zakharov, “King Kong (1933) in one Drawing”, 2014, directed by Merian C. Cooper, Ernest B. Schoedsack a. Non Stop Action, drawing of the film - 87 min, paper, pencil, acryl, 115 x 150 cm

Vadim Zakharov, “King Kong (1933) in one Drawing”, 2014, directed by Merian C. Cooper, Ernest B. Schoedsack a. Non Stop Action, drawing of the film - 87 min, paper, pencil, acryl, 115 x 150 cm

 
 

Vadim Zakharov, “Der Golem, wie er in dei Welt kam (1920) in One Drawing”, 2014, directed by Paul Wegener (Deutschland). a. Non Stop Action, drawing of the film - 87 min, paper, pencil, pastel, acryl, 115 x 150 cm

Vadim Zakharov, “Der Golem, wie er in dei Welt kam (1920) in One Drawing”, 2014, directed by Paul Wegener (Deutschland). a. Non Stop Action, drawing of the film - 87 min, paper, pencil, pastel, acryl, 115 x 150 cm

 
 

Vadim Zakharov, “Un Chien Andalou (1929) in One Drawing”, 2017 Paper, pencil, pastel, 115 x 150 cm.
1. Non Stop Action, drawing of the film – 21 MIN.

Vadim Zakharov, “Un Chien Andalou (1929) in One Drawing”, 2017 Paper, pencil, pastel, 115 x 150 cm.
1. Non Stop Action, drawing of the film – 21 MIN.

 
 

Danaë

Russian pavilion, VENICE BIENNALE 2013

 
 
 
 

Vadim Zakharov © Danae-russ pavilion, 2013. Photo: Daniel Zakharov

Vadim Zakharov © Danae-russ pavilion, 2013. Photo: Daniel Zakharov

 
 

Vadim Zakharov © Danae-russ pavilion, 2013. Photo: Daniel Zakharov

 

I Have Acquired Enemies

1982

 

Vadim Zakharov, I Have Acquired Enemies, 1982

 

BIOGRAPHY

Vadim Zakharov was born in Dushanbe in 1959. He is an artist, editor, archivist of the Moscow Conceptual art scene, collector. Since 1978 he took part in exhibitions of unofficial art and collaborated with artists such as: V. Skersis, S. Anufriev, A. Monastyrski, Y. Leiderman. In the years 1982 to 1983 he participated at the AptArt Gallery, Moscow. Since 1992 he has published the Pastor magazine and founded the Pastor Zond Edition. During the years 2010 to 2018 he created and systematized the website www.conceptualism- moscow.org. Vadim Zakharov is the author of the Adorno Monument in Frankfurt am Main (2003). His retrospective 25 Years on One Page was held at the Tretyakov Gallery in 2006. He represented Russia at the Venice Biennale in 2013 with the project Danaë. He lives and works in Berlin.

 

EXHIBITIONS

Vadim Zakharov

George Orwell / 7 Dictators / Duchamp prostate

curated by Chiara Valci Mazzara

September 11, 2021 - January 07, 2022